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Notice: error_log(): write of 113 bytes failed with errno=28 No space left on device in /www/wwwroot/seo-dashuju-wenxue/code/logginfo/SimpleLogger.php on line 199 常识“同声相应”是什么意思，起源、典故、生平简介及释义-历史文化
令轻，则韵乖，鸣自止也。’”用改变应和器体形使其固有频率随之而变的方法，消除共鸣。入宋，沈括复指出共鸣有同调和泛音两种：“琴瑟弦皆有应声。宫弦则应少宫，商弦则应少商，其余皆隔四相应。今曲中有声者，须依次用之。”（《补笔谈·乐律》）为形象地显示规律，他又设计从事纸人实验：“欲知其应者，先调其弦令声和，乃剪纸人加弦上，鼓其应弦，则纸人跃，他弦即不动。声律高低苟动，虽在他琴鼓之，应弦亦振。此之谓正声。”